American artist .
1821-1872
A self-taught mulatto artist and a landscape painter of the Hudson River school tradition, Duncanson was the first Afro-American artist to receive international recognition. Born into a family of painters and handymen, Duncanson first worked as a house-painter and glazier in Monroe, MI. By 1841 he was in Cincinnati, OH, where he learnt to paint by executing portraits and copying prints. Throughout the 1840s he travelled as an itinerant artist between Cincinnati, Monroe and Detroit. Related Paintings of Robert S.Duncanson :. | Land of the Lotos Eaters | The Land of the Lotus Eaters | Ellen s Isle | Portrait of Freeman Cary | Recollections of Italy | Related Artists:
Anton Graff1736-1813
Swiss
Anton Graff Gallery
Swiss painter, active in Germany. He was a pupil of Johann Ulrich Schellenburg (1709-95) in Winterthur and continued his training with Johann Jakob Haid in Augsburg between 1756 and 1765. He worked for the court painter Leonhard Schneider (1716-62) in Ansbach from 1757 to 1759, producing large numbers of copies of a portrait of Frederick the Great (probably by Antoine Pesne). This was an important step in furthering his career, as were the months he spent in Regensburg (1764-5) painting miniatures of clerics and town councillors. He was court painter to the Elector Frederick-Christian of Saxe-Weimar in Dresden from 1766 and taught at the Hochschule der Bildende K?nste there. In 1771 he travelled to Berlin, where he painted portraits of Jakob Mendelssohn, Gotthold Ephraim Lessing and J. G. Sulzer. Sulzer introduced him at court, which resulted in many commissions. He was invited several times to teach at the Akademie der K?nste in Berlin, but he remained in Dresden. He often travelled to Leipzig, and in summer he frequently went to Teplitz (now Teplice, Czech Republic) and Karlsbad (now Karlovy Vary, Czech Republic); he also worked in Berlin on several occasions and returned to Switzerland for visits.
Matteo Di PacinoItalian Byzantine Style Painter
Adriaen van de VenneDelft 1589-The Hague 1662
Dutch painter, draughtsman and poet. De Bie's account (1661) is the only known source on van de Venne's youth and training. He was born of 'worthy' parents who had fled to Delft from the southern Netherlands to escape war and religious strife. Inspired by his early study of Latin to become an illustrator, he was partly self-taught but also received instruction in painting and illumination from the otherwise unrecorded Leiden goldsmith and painter Simon de Valck. His second teacher, Hieronymus van Diest,